Showing posts with label John Clare. Show all posts
Showing posts with label John Clare. Show all posts
Monday, November 29, 2010
Snowstorm
Winter is come in earnest and the snow
In dazzling splendour—crumpling underfoot
Spreads a white world all calm and where we go
By hedge or wood trees shine from top to root
In feathered foliage flashing light and shade
Of strangest contrast—fancys pliant eye
Delighted sees a vast romance displayed
And fairy halls descended from the sky
The smallest twig its snowy burthen wears
And woods oer head the dullest eyes engage
To shape strange things—where arch and pillar bears
A roof of grains fantastic arched and high
And little shed beside the spinney wears
The grotesque zemblance of an hermitage
Part of a poem by John Clare which seems appropriate at the moment. The photos are actually from January 2006 so I don't know quite why they are so blue - maybe I used flash? Who knows! We haven't had that much snow so far, just an inch or so here but I know that other parts of the UK have a good deal more. I feel as though it ought to be January as we don't normally have much in the way of snow in November and we certainly don't get the low temperatures, it was 14F here on Saturday night - decidedly chilly! The sort of weather for hot chocolate, a warm blanket and a good book. Not my destiny this week I'm afraid as I've sent DH over to our other house for the week so that I can do a proper deep clean of the house ready for Yule. Last time I sent him over there so that I could 'get on with things' I managed to break my wrist so I'm hoping hard that history isn't going to repeat itself!
Sunday, September 26, 2010
The Shepherd's Calendar - September
Neath the old oaks mossed and grey
Whose shadows seem as old as they
Where time hath many seasons won
Since aught beneath them saw the sun
Within these bramble solitudes
The ragged noisy boy intrudes
To gather nuts that ripe and brown
As soon as shook will patter down
Thus harvest ends its busy reign
And leaves the fields their peace again
Where autumns shadows idly muse
And tinge the trees with many hues
Amid whose scenes I'm feign to dwell
And sing of what I love so well
But hollow winds and tumbling floods
And humming showers and moaning woods
All startle into sudden strife
And wake a mighty lay to life
Making amid their strains divine
All songs in vain as mean as mine.
A quick post to get September's excerpt from The Shepherd's Calendar in before it's too late. For those of you who are keen naturalists I do realise that the venerable tree at the start of the poem is a beech and not an oak but it's such a wonderful old tree that I decided to use a little poetic licence:)
Wednesday, August 04, 2010
The Shepherd's Calendar - August

Here are more excerpts from John Clare's poem, it is wonderfully descriptive of the heat and backbreaking toil of the harvest which involved all the village - young and old, male and female.
Harvest approaches with its bustling day
The wheat tans brown and barley bleaches grey
In yellow garb the oat land intervenes
And tawney glooms the valley thronged with beans
Silent the village grows, wood wandering dreams
Seem not so lovely as its quiet seems
Doors are shut up as on a winters day
And not a child about them lies at play
The dust that winnows neath the breezes feet
Is all that stirs about the silent street
Fancy might think that desert spreading fear
Had whisperd terrors into quiets ear
Or plundering armys past the place had come
And drove the lost inhabitants from home
The fields now claim them where a motley crew
Of old and young their daily tasks pursue

When the sun stoops to meet the western sky
And noons hot hours have wanderd weary bye
They seek an awthorn bush or willow tree
Or stouk or shock where coolest shadows be
Where baskets heapd and unbroachd bottles lye
Which dogs in absence watchd with wary eye
To catch their breath awhile and share the boon
Which beavering time alows their toil at noon
All gathering sit on stubbs or sheaves the hour
Where scarlet poppys linger still in flower
Stript in his shirt the hot swain drops adown
And close beside him in her unpind gown
Next to her favoured swain the maiden steals
Blushing at kindness which her love reveals
Who makes a seat for her of things around
And drops beside her on the naked ground
Wearied wi brambles catching at her gown
And pulling nutts from branches pulld adown
By friendly swain the maid Wi heaving breast
Upon her lovers shoulder leans at rest
Then from its cool retreat the beer they bring
And hand the stout hooped bottle round the ring

The ruddy child nursed in the lap of care
In toils rude ways to do its little share
Beside its mother poddles oer the land
Sun burnt and stooping with a weary hand
Picking its tiney glean of corn or wheat
While crackling stubbles wound its legs and feet
Full glad it often is to sit awhile
Upon a smooth green baulk to ease its toil
And feign would spend an idle hour to play
With insects strangers to the moiling day
Creeping about each rush and grassy stem
And often wishes it was one of them
In weariness of heart that it might lye
Hid in the grass from the days burning eye
That raises tender blisters on his skin
Thro holes or openings that have lost a pin
Free from the crackling stubs to toil and glean
And smiles to think how happy it had been
Whilst its expecting mother stops to tye
Her handful up and waiting his supply
Misses the resting younker from her side
And shouts of rods and morts of threats beside
Pointing to the grey willows while she tells
His fears shall fetch one if he still rebells
Picturing harsh truths in its unpracticed eye
How they who idle in the harvest lye
Shall well deserving in the winter pine
Or hunt the hedges with the birds and swine
The paintings are
1.Harvest Time, Lambourne, Berks by Henry H Parker
2.Harvest Rest by George Cole
3.Harvest by Robert Gavin
Saturday, July 03, 2010
The Shepherd's Calendar - July

How sweet the village evening comes
To weary hinds from toil released
And panting sheep and torturd beast

The shepherd long wi heat opprest
Betakes him to his cottage rest
And his tired dog that plods along
Wi panting breath and lolling tongue
Runs eager as the brook appears
And dashes in head over ears
Startling reed sparrow broods to flye
That in the reed woods slumbered nigh
And water voles in haste to hide
Nibbling the sedges close beside
Lapping while he floats about
To quench his thirst then drabbles out
And shakes his coat and like the swain
Is happy night is come again.
One day I will finish putting in excerpts from all the months of John Clare's poem! The two paintings are 'Cattle Watering' by George Cole at the top and 'A Summer Evening on the Coln' by Walter Wallor Caffyn. The photo illustrating the shepherd's dog is less atmospheric but I couldn't find a painting to illustrate these lines. Hence the final picture is entitled 'Bilbo Baggins in the River Kent'! It was taken last year when we were in the Lake District.
Tuesday, June 02, 2009
The Shepherd's Calendar - June
Here is an excerpt from the June poem in John Clare's 'Shepherd's Calendar'. Remember that you have to put in your own punctuation as you read:) The lovely painting above is by Helen Allingham.
Some ancient customs mixd wi harmless fun
Crowns the swains merry toils - the timid maid
Pleasd to be praised and yet of praise affraid
Seeks her best flowers not those of woods and fields
But such as every farmer's garden yields
Fine cabbage roses painted like her face
And shining pansies trimd in golden lace
And tall tuft larkheels feathered thick wi flowers
And woodbines climbing oer the doors in bowers
And London tufts of many a mottled hue
And pale pink pea and monkshood darkly blue
And white and purple jiliflowers that stay
Lingering in blossom summer half away
And single blood walls of a luscious smell
Old fashioned flowers which hus wives love so well
And columbines stone blue or deep night brown
Their honey-comb-like blossoms hanging down
Each cottage gardens fond adopted child
Just to help you out with the flower names
larks heels are larkspur
London tufts are London Pride
jiliflower could be either pinks/carnations or wallflowers
bloods are also wallflowers, the lovely deep red ones
June is sheep shearing time and the girl is collecting flowers for her 'clipping posies' which were little nosegays presented to the sheep shearers - I believe they were often sprinkled with pepper or snuff which was the cause of much hilarity when the unsuspecting recipient put the sweet-smelling flowers to his nose. Sheep shearing was hard, hot work but not entirely without its pleasures. The farmer would usually supply copious amounts of home brewed cider or ale to help things along. In fact here are another few lines -
The large stone pitcher in its homely trim
And clouded pint horn wi its copper rim
Oer which rude healths was drank in spirits high
From the best broach the cellar would supply
While sung the ancient swains in homly rhymes
Songs that were pictures of the good old times
When leathern bottles held the beer nut brown
That wakd the sun wi songs and sung him down
Life was hard but it had it's lighter side as well.
Wednesday, May 06, 2009
The Shepherd's Calendar - May
The Shepherd's Calendar is a long poem which has a section for each month of the year and tells of the work of the farm labourer through the seasons and describes the celebrations and festivals that were enjoyed by the country people. There are lovely descriptions of the countryside and wildlife as it was in 1827 when the poem was published. It describes a world that is long gone and is a marvellous record of that world. The poem was written by John Clare who was born in 1793 and was the son of a Northamptonshire farm labourer so he was very familiar with the things he wrote about, it was the life he lived himself. I have chosen a small excerpt from May and I think as the year goes by I will try and post a small piece for each month. John Clare writes in Northamptonshire dialect and without punctuation but it is easy enough to understand.
The shepherd goes wi happy stride
Wi morns long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eaves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And cock his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Cracking his whip in starts of joy
A happy dirty driving boy

The two photographs were taken at the Weald and downland Museum in Sussex, the painting is The Cornfield by John Constable.
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